Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
在我看來(lái)比第一部好看很多哈,他們?cè)诜侵匏庥龅臒辣鹊谝徊坷锏母屓擞泄缠Q。我喜歡的:MotoMoto出場(chǎng)時(shí)伴隨著一般言情片里帥哥出現(xiàn)時(shí)的音樂(lè);Mort從海里爬出來(lái)時(shí)哼的小調(diào);片頭尾四個(gè)朋友邊唱歌邊扭著屁股的節(jié)奏感;還有,I like to move move it ...